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Posts Tagged ‘television’

Today, it’s less than two weeks until All the Ugly and Wonderful Things releases into the wild. In the vernacular of my youth, I’m pretty stoked.

I am also starting to fill up my dance card with a lot of events. As I mentioned in my last post, I’ve got events at four Kansas bookstores in the week after the book’s release. More details here.

There are also two giveaways currently in effect. One on Goodreads and the other on Go Fug Yourself. (Please note I pulled the link for that by Googling Go Fug Yourself Bryn Greenwood. Yep.)

So while I’m totally open to ideas about what I should talk about at these events, I’m not very nervous about them. I’ve done a lot of public speaking, much of it involving talking to giggling teenagers about sex. Far more unnerving is the fact that I’ve also got two television appearances scheduled. I used to do some TV spots when I worked for Planned Parenthood, and a few times I made quick talking head appearances when the real PR person wasn’t available. I’ve never actually been asked to talk about my own personal shit on TV, though. Still, I was okay until I read my refresher on TV appearances and was reminded that one should never wear black, white, red, or patterns on television. My closet:

Black like my soul

So, that’s black, black and white, red, black, leopard print, black, and a blue muumuu. After I stared this down for ten minutes, I started to wish that I were going to appear on a German naked newscast. I’m not, though, so pinky swear that I will be on TV, wearing something that isn’t black, white, red, or patterned.

Of course, as soon as I ventured into the world to shop for clothes, these are the things that jumped out at me:

Awww yeah. I love shopping at thrift stores, but aside from reassuring myself that the world is full of truly fantastic prints, I didn’t find anything. Guess that means I’ll have to break the old admonition about avoiding any activity that requires one to buy new clothes.

One thing I do know I’ll be wearing for at least some of these events: these super fantastic Fluevogs.

Fluevog Odettes

 

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It didn’t take long for the initial reports out of Miami to turn into a roar of “Zombie Apocalypse!” People didn’t even wait to hear the details. Give us a man eating another man’s face and we will run with it, even if it requires us to make a joke out of what looks like a tragedy in the cold light of day. Why?

Because we need stories. As zombies love brains, as meat loves salt, people love narrative. We thrive on narrative, because it holds back chaos. It introduces order and meaning and structure. Narrative is at the heart of religion, for example. Humans invented religion to explain things they didn’t understand. Not sure what lightning is? Make a story about a god who uses it to punish people. Voila! Order out of chaos. Not sure what happens after we die? Frightened by the uncertainty? A good story explains away the uncertainty. Don’t worry, you’ll come to a river, where you’ll have to pay a boatmen to ferry you across. If you’ve been good, you’ll go to a beautiful meadow. If you’ve been bad, you’ll go to terrible place of torment.

Without narrative, we have to stare down the chaos of life. Instead of zombie apocalypse and its offer of freedom and survival of the cleverest, we end up with some unfortunate man with a patchy history of bad and desperate behavior who took a drug and did terrible thing, and it means nothing. That’s one of the scariest phrases in the English language–it means nothing. That’s why as crazy as it sounds, we like the idea of “zombie apocalypse” better than we like the sound of “random act of gruesome violence.”

Fear of meaninglessness is why people start charities. To honor a loved one who died of cancer. To protect people from the fate of a loved one killed in a drunk driving accident or a kidnapping or some other horrible, random act. The stunned and wounded people the dead leave behind want death to mean something. They don’t want it to be brutish and random and meaningless.

And so narrative becomes the savior. Random horrible death becomes a story. The cancer victim becomes a valiant hero whose death will encourage others to walk for a cure! (Until bad PR causes problems with that narrative.) The guy with his face eaten off, he’s the start of the long-awaited zombie apocalypse!

This is why I laugh at people who bemoan the encroachments of reality television. As though it were reality.  Other people complain that reality television is scripted. The outrage! You mean the producers are manipulating the show to produce more drama? They’re–dare I say it–crafting a narrative? Kim & Kris weren’t really in love? They were just acting?

Our love of narrative is the reason we will never tire of telling stories. Books aren’t dead. Cinema isn’t dying. Yes, it’s probably going to change, but not so much we won’t be able to recognize it. Sleep for a thousand years and return to civilization and there will still be stories you recognize. In fact, they’re likely to be the same stories told a thousand years ago, even if we use new technologies to tell them. Stories will never end, because we need them to understand our own chaotic lives.

You mean it’s not real?!?! NOOOOOOOO!!!!!

To my mind, one of the more interesting things about “reality tv” is that it’s all about the self-narrative. The characters create themselves as the show goes on. Like deeply imbedded improvisation. I know that as a culture we like to dismiss reality tv stars as narcissists, but imagine what it would be like to have a TV crew filming your life. Think of the ways that your life could be manipulated to tell a cohesive narrative arc. Think of how you would want to create and reveal your own character. For extra credit, consider what kinds of freedom to do and say what you want might be born out that scripted narrative. Show your work.

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