Another Book Giveaway

As always, I’m trying to give away some signed advance copies of All the Ugly and Wonderful Things. Go visit my giveaway to see all the ways you can enter to win. In addition to ARCs, I’m giving away some of my homemade penny book swag keychains.

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Love your monster baby

I’ve seen a lot of writers lately who are bemoaning their failure to write “what publishing wants.” They keep writing books that they can’t sell, and they’re feeling like it’s because what they’re writing doesn’t appeal to agents or editors. I empathize with them, because I am something of an expert on this.

All the Ugly and Wonderful Things followed the same path as all my other books. A whole lot of people said, “Hey, that’s something you’ve got there, but I don’t think anyone will buy it.” That continued until two people decided, “Yeah, I think people will buy this.” Completely random. Completely unexpected. A book that was unsaleable for three years became saleable.

I’m not saying what you feel is invalid, when you’re staring at another rejection and shouting, “WHAT DO THESE PEOPLE WANT?” That feeling you have is totally real, and it fucking sucks. What I’m saying is that publishing is a.) random, b.) cyclical, c.) not always great at figuring out what people want to read, either. If they were always right about what books will succeed, you’d never see books flop.

The other thing that I’m saying is you have to love the thing you’re writing and love it in secret. This is particularly true, because maybe nobody else will ever love this book you’re writing. Maybe you’re the only one who will ever be capable of looking at it and feeling joy. You have to love it like a monster baby hidden in the attic. You can’t look around and think, “Oh, look at all these kids on the playground. They’re so much prettier and smarter and less monstrous than my baby.” So what if that’s true? It’s still your baby. Love your monster baby. You gave it life and it needs your love. Maybe it’s never going to see the light of day, or maybe 5 years from now, monsters will be popular, and your hideous baby will be class president.

This is true even when we’re talking about own voices stories from diverse authors. It’s popular lately to complain about how agents and editors are treating diverse books like a trend, but if you already have diverse, own voices novels sitting in your drawer, how is this trend not a bonus for you? Break out those monster babies and send them to all the agents! Don’t dismiss this opportunity as a trend. After all, I used to hear people talk about vampire novels as a trend, but they haven’t gone away, have they? That door is still open. If you don’t have finished books in your trunk, that’s on you as a writer. Don’t wait to write your masterpiece until someone publishes the book that will open the door to your work. Have your work ready when that door opens.

(This post brought to you with love, by analogies gone wrong. And remember, on The Simpsons, they kept the wrong twin in the attic.)

Hugo

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Let the swag making begin!

There’s something special about All the Ugly and Wonderful Things. It’s not just that it’s my first Big 5 publishing deal or that it sold at auction, or even that after 100+ publishing professionals told me it wasn’t commercial enough that it sold at auction to a Big 5 publisher. Sure, those things are exciting, and to some folks that will be what makes this novel special. For me, the something special about this book is that it’s a book of my heart. There was nothing plotted or planned about it. The whole story from stem to stern came from my heart.

Because it’s so special to me, all along I’ve wanted to do some book swag that was different. Something beyond bookmarks and postcards. Something substantial.

Last week, I started on it with a big box of crafting supplies:

Never let it be suggested that I do anything half way. I’m an all in kind of girl.

In addition to a hand-stamped copper tag with the title of the book on it, I decided to 1969 pennies stamped with Wavy’s name and 1956 pennies stamped with Kellen.

I love how the different levels of patina look together. The 1969 pennies I got are actually uncirculated, while the 1956 come used from a bank vault. All together, they look like this, and I’ll either put them on a key chain on ball chain necklace.

The real question now is what kind of giveaway to have to get them into your hands …

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