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Posts Tagged ‘Big 5 publishers’

Despite some doubts along the way, it turns out that I really wrote this book, my amazing agent really took a chance on it, my incredible editor really bought it, and it’s really for sale today!

ALL THE UGLY AND WONDERFUL

It’s for sale pretty much everywhere in North America: Amazon, Barnes & Noble, IndieBound, Books-A-Million, plus maybe even your local bookstore. If they don’t have it, they can order it for you.

Now, obviously, I love this book with all my heart, but you don’t have to take my word on whether it’s worth reading. Here are some of my reviews:

Kirkus Reviews called it a “powerful, provocative debut” and “Intelligent, honest, and unsentimental.”

Publishers Weekly says it’s “a memorable coming-of-age tale about loyalty, defiance, and the power of love under the most improbable circumstances.”

Library Journal said the book is “so freakishly good and dangerous that it should come with a warning label.” I’m pretty sure they mean that in a good way.

The Associated Press calls it “captivating and smartly written from the first page … instantly absorbing.” But they also warn would-be readers that “This book won’t pull at heartstrings but instead yank out the entire organ and shake it about before lodging it back in an unfamiliar position.”

Tonight I’ll be having a book release party at the lovely Lawrence Public Library at 7:30 pm. (Co-hosted by The Raven Book Store.) If you’re in the area, come on out!

Tomorrow night, I’ll be at Rainy Day Books in Kansas City. If you’re long distance and want to purchase a signed copy, you can order one through them.

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One of the more esoteric aspects of the publishing industry is the cover blurb. Basically, your publisher sends out copies of your book to ask far more talented and famous writers to read the book and say nice things about it. In some ways, it’s almost the only time in life that it’s acceptable to ask people to compliment you.

Blurbs are considered very important when you are, as I am, a debut author in traditional publishing. A good blurb is like a celebrity endorsement. The perennial question is whether they work. I don’t know. I can’t think of a time when I’ve bought a book, just because a famous writer I like said, “This book is great!” One the other hand, if a writer I like has blurbed a book, I’m more likely to consider it than I might otherwise.

No matter how much importance you place on blurbs, it’s still really nice to get them. It makes me feel like I’ve arrived. It helps me feel a bit more confident that readers will like my book. So this week has definitely been a boost to my confidence, as I got TWO really nice blurbs.

“An emotionally resonant novel with an unlikely cast of characters you won’t soon forget. Bryn Greenwood’s unique voice and her understanding of human nature offer an amazing tale of family, loss, and love that’s as unpredictable and inspiring as love itself.”

–Brunonia Barry, New York Times bestselling author of The Lace Reader

 

“Written in lyrical and searingly honest prose,  Bryn Greenwood tells a powerful story of love and resilience against the bleakest of backdrops. Like the best fiction, this is a novel that means to disturb and challenge as it forces to look with compassion on every last one of its flawed, memorable characters. I was captivated from the first page to the last.”
–Patry Francis, author of The Orphans of Race Point

 

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Well, as you can see in the sidebar, I officially have my cover for the new book.

ALL THE UGLY AND WONDERFUL

I got the news in the old fashioned way: somebody texted me and said, “Hey, did you know your book is live for pre-order on Amazon?” No, I didn’t, but sure enough, it is. With a small publisher, the writer tends to be intimately involved in cover decisions, but with a large publisher like St. Martin’s Press, there’s a whole team of people behind the scenes doing stuff like this. Like publishing pixies coming in the night to put my book on Goodreads.

Speaking of which, there’s a giveaway for the book on Goodreads (those publishing pixies again!) You should definitely go enter.

About All the Ugly and Wonderful Things

As the daughter of a meth dealer, Wavy knows not to trust people, not even her own parents. It’s safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, Wavy finds peace in the starry night sky above the fields behind her house, until one night her star gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father’s thugs, Kellen, a tattooed ex-con with a heart of gold.

Surrounded by addicts and a culture of debauchery, their relationship doesn’t set off any alarms until a well-meaning aunt steps in. Facing a charge of statutory rape, Kellen may not be completely innocent, but he’s the one stable companion Wavy and Donal have. Instead of playing it safe, Wavy has to learn to fight for Kellen, for her brother, and for herself.

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This blog post has been a long time coming, not on the small scale, as I’ve only been waiting to post my news for a few weeks. It’s been a long time coming in the sense that I’ve been seriously writing and trying to get published for two decades. In those years, I’ve had a variety of small successes (short story sales and a graduate fiction prize that paid Real Money™!) and medium successes (two novels sold to a small press.) The news contained in this post is success on a higher order.

Those of you who’ve been reading my blog for a while may remember a novel that went by the working title of Thirteen. I started writing it in the fall of 2009, and a mere five years later, it has sold. I’d put it all down to persistence, but as you’ll see from the story, my doggedness can’t take credit for everything. First the official announcement from Publishers Marketplace:

Bryn Greenwood’s What Belongs to You*, a love story between two unlikely people–a strong-willed girl of ethereal beauty and a tattooed motorcycle riding ex con with a heart of gold–and the hard-won relationship that elevates them above the Midwestern meth lab backdrop of their lives, to Laurie Chittenden at Thomas Dunne Books, at auction, by Jessica Regel at Foundry Literary + Media (NA).

It's not real until it shows up in Publishers Marketplace

It’s not real until it shows up in Publishers Marketplace

(*Due to the vagaries of publishing, after the sale, my book was retitled All the Ugly and Wonderful Things.)

So, what happened in those five years between when I started the book and when I finally sold it? A lot-a lot, as we say in my family, the exponential superlative of “a lot.”

When I started writing the book that would become All the Ugly and Wonderful Things, I had an agent, and a novel out on sub. (You’ll find teasers for that novel, if you follow the tag Axyl Witt is a bad motherfucker.) Despite my agent’s valiant efforts, however, the book didn’t sell. Not long after that disappointment, my agent called to let me know that he was leaving the business of literary agenting. Just like that, I no longer had an agent.

Although publishing is changing, a writer’s odds for that elusive book sale are still dramatically better with an agent. To get a new agent, I needed a new book to query. I put in heavy hours revising, and at the end of 2011, I started querying. I queried, and I queried, and I queried. Like many writers, I have a series of Excel spreadsheets that document my writing career in the form of rejections. My handy query spreadsheet reveals that between January 2011 and February 2014, I sent 122 agent queries for All the Ugly and Wonderful Things.

Now, I wasn’t sitting around doing nothing while my queries zinged around the ether (or languished in agents’ email.) I kept writing. I kept participating in writing communities. Through those communities, I met the publisher of a small press, who asked to see some of my work. I sent him the first novel I ever queried, Last Will. (Spreadsheet says: 8 queries sent, 2 form rejections received, 5 personal rejections of a warm and encouraging nature, 1 non-response. It does not record exactly why I gave up querying that novel after 8 attempts.)

The small press publisher liked my novel and offered to buy it. I accepted. In April 2012, Last Will was published. It did well for a quiet novel from an unknown writer at a small press. I suppose it did well, as in 2013, the publisher offered to publish my next book, Lie Lay Lain. (Spreadsheet says I sent 0 queries, but on the upside, got 0 rejections!) My second novel came out this April, with perhaps even less fanfare than the first.

As for All the Ugly and Wonderful Things, I had been querying it all along. I received quite a few requests for the full manuscript. (Spreadsheet says: 14% request rate.) I received 3 requests to revise and resubmit. I undertook two of those requests, but in the end, none of those 122 queries led to representation. Looking at that spreadsheet, at that avalanche of no, I started to consider the possibility that the book I’d been so sure was my “breakout” novel was dead in the water.

I’ve sometimes joked that selling a book to a Big 5 publisher is the equivalent of a white wedding, while small presses were more like Justice of the Peace ceremonies. With two small press books out and no prospective bridegroom, I started to think there wasn’t going to be any wedding for this book, unless I did it myself. I began researching self publishing, the Vegas wedding of publishing–no less true for its informality. I investigated cover artists, editors, distribution.

Then, in May, an agent contacted me. She’d read part of Lie Lay Lain and liked what she saw. Did I have representation? she asked. If not, would I send my current project? Why not? At that point, I had nothing to lose. I sent her the manuscript and thought nothing more of it. (Spreadsheet reveals that I had queried Jess with one of the projects that came in between Last Will and Axyl Witt, but it wasn’t a good fit for her. Based on my rejection numbers, it wasn’t a good fit for anyone.)

A few weeks after that initial email contact, we spoke on the phone and she offered to represent me. She was willing to take a chance on the book that nobody else would touch. Three months after that, All the Ugly and Wonderful Things sold at auction to a Big 5 publisher.

What’s the takeaway from all of this? Is it just that my book is like the Lana Turner of novels? Sitting there in a malt shop, minding its own business when it was discovered? You hear these stories, about writers who get an agent or publisher quite by chance, but I don’t know anyone for whom a thing like that happened. Or I didn’t until it happened to me. I am urban legend, come to life!

My conclusion, and you’re welcome to come to your own, is that you never know. This business is random, chaotic, and a little cruel. The only thing you control is how much effort you put into your writing, and how hard you work at connecting with people. The rest of it is a lot like a lottery. Once your book is as good as you can make it, you have to somehow stumble upon the perfect combination of opportunity: right agent, right editor, right moment.

What would have happened if I’d sent more than 8 queries for my first novel? I’ll never know, because I gave up. If you really want this, you can’t give up. You have to whack the publishing piñata until the candy falls out.

 

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For the very curious among you, my query spreadsheet is like a geological history of the last few years of publishing. It reveals agencies that have opened and closed, and the careers of agents, new and old, including their entrance into the industry as interns, their moves to other agencies, and the death and retirement of other agents. It also shows the steady shift from snail mail queries to email queries, and the increasing prevalence of the non-response response.

The full stats from my spreadsheet:

In 13 years, I’ve queried 7 novels to 216 agents, for a grand total of 453 queries. In response to those queries, I received 61 requests for more material, 5 revise & resubmit requests, 452 rejections, including 197 non-responses.

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