One of the cool things about getting book reviews isn’t just having people say nice things about your book. It’s getting a review from a reader who appreciates an element in your book that often gets overlooked.
Recently I got a review from a reader named Gretchen who wrote: “I was wary of yet-another-multiple-POV-story but this is next level sh*t. There are probably over a dozen (or more? I didn’t count) narrators, some first person, some third person, and yet the corners where they meet are perfectly joined. The math of it is impressive. This is hard mechanics but you don’t notice it because it’s done so well. Someone, please analyze this and tell me how she did it.”
There are, in fact, 16 narrators in All the Ugly and Wonderful Things.
Some of them are integral to the story, at both the emotional center of the book and at the center of the action. Other narrators are observers. People who know Kellen or Wavy in one way or another, or who meet them in passing.
I have always been a multiple narrator writer. The first real novel I ever finished in 2004 had three narrators, and I can remember going to a conference, where three different agents gave me the puzzled dog head tilt during my pitch sessions. Three narrators? Two of them said they couldn’t even think of a successful novel with multiple narrators, and I helpfully reminded them of Faulkner’s As I Lay Dying. I like writing in multiple narrators, but my reason for using so many in All the Ugly and Wonderful Things was more than just a matter of personal taste.
I chose to tell the story through sixteen narrators for two reasons. Firstly, I needed a way to manage the impact of Wavy’s narrative on readers. When she speaks, it’s fairly intense and to the point. Putting too much of her voice in the story felt like putting too much salt in a dish.
The second reason for all those narrators was to be sure I was being honest with myself. I’m not ashamed of the controversial nature of the story, but I’m not in denial about it, either. By checking in repeatedly with other characters, looking at Wavy and Kellen from other points of view, I was able to write the story almost like a documentary.
As for how I did it? As with all of my writing projects, I radically over-wrote. The first draft of the book was 200,000 words, and before it was all said and done, I had 280,000 words, which I ultimately cut down to the final published length of 120,000 words. When I’m writing the first draft of a book like this, I’m walking through the story with the main characters, and I’m noting the ways they interact with the rest of the world. I’m identifying people who are “key witnesses,” if you will. Then I investigate them. Not just what they saw and felt about their interactions with the main characters, but what kind of people they are, and how they view the world. For every narrator in the book, I could tell you what they were doing the day before the chapter they narrated and the day after, and possibly the most embarrassing thing that happened to them in sixth grade.
Sometimes I think of it like woodworking, but instead of joining one piece of wood to another, I’m building multiple iterations of the same piece of furniture and then cutting out the sections I need from each piece, and joining those together to produce a single piece of furniture made up of those parts. For some narrators, I’m literally writing a novel about them, and then superimposing all of those stories together and choosing where they overlap with the story I want to tell.
For example, I have what is essentially a whole novel about Wavy’s cousin Amy. Not just where her life intersected with Wavy’s, but all the other parts of her life, too. There are other narrators for whom I wrote novellas, so that I could understand how they fit in. Of course, there are also narrators who didn’t make the cut, including a few very important characters, like Wavy’s parents and her aunt. Ultimately, Wavy’s mother and father were too self-absorbed to make the cut–they weren’t focused on Wavy enough to tell part of her story. Wavy’s aunt simply had a habit of derailing the narrative with peripheral concerns, and she did so well at verbalizing her opinion in other character’s scenes.
Ultimately, my goal in the revision process for All the Ugly and Wonderful Things was to give every character a narrative arc. Some of them are quite small, and some of them take place off stage, but by the time I’m finished writing a novel, I know all these people intimately and I want to understand how they got here and what happens to them.
It’s so interesting and intriguing to imagine what’s going on in your brain through this whole process.
I can’t wait to read the book!
My brain is really messy inside. Even messier than my woodworking shop. 😉 I’m trying not to get ants in my pants as the book release date approaches.
It may be messy in there, but it appears you know where to find anything when you need it! (or anyone!)
Or at any rate, I’m not afraid to leave the house wearing mismatched shoes.
Very enjoyable reading about your writing process. I am going to read your book soonest. It is just sitting there in my computer burbling away.
I hope it’s good reading, Judy.
One of the advantages, I felt, that this particular story might have with multiple narrators might be to help express the feelings of individual readers too. unlike myself, there may be those who come away from this novel reacting less to the love story and more simply to the age difference. while reading, their personal opinions may be bubbling up and with some narrators, they then get their own perspectives voiced.
I definitely considered that when I opted not to have Aunt Brenda narrate any scenes. For some readers, her dialogue will be more than sufficient to carry her POV, and for other readers, they are already looking at the situation from Aunt Brenda’s POV. After all, she is us as a society.
I love multiple narrators!! And I also completely love this book. Pretty much everything about it. You have succeeded in telling a story that could be creepy and gross in such a way that the reader is rooting for them to be together because instead of being creepy and gross, its touching and amazingly sweet.
I hesitate to bring my reviews to the author, but if you want to check my review out, I’d be honored.
http://wp.me/p7P10J-Mi
As a funny sidebar, my husband’s grandfather was 18 and serving in the military overseas when his wife was born!! lol So hey, they have Kellen and Wavy beat by a few years haha.
Thank you for writing such a great book!! I can’t wait to see what you come up with in the future!
Thank you for reading! (and reviewing!) I’m always fascinated by the way we move the goalposts of what’s “acceptable.” My grandparents were likewise very far apart in age.