I’m doing something a little strange for me: posting a teaser from something that is very much a work in progress. Something I wrote last night, in fact. The narrator here is an 8-year-old girl. She’s spent the night hiding in the meadow, and as the sun is coming up, she’s hiking back to her house. When she reaches the road, a guy on a motorcycle goes by. Startled by her unexpected presence in a hay field at dawn, he does a double-take, skids on gravel, and spills his bike. What does it all mean? I don’t know yet.
***
The Giant sat up. He winced and rubbed at his elbow and then his shoulder. Then his big hand touched the back of his head. It came away bloody. He stared at it for a moment then reached for me. I thought about fighting. Running. But his hand was shaking where he held my shoulder.
“Goddamn. I thought you were a ghost or something. Where did you come from?”
I pointed toward Mama’s house.
“You’re not an angel?”
I shook my head.
“You sure? ’cause I think I just about bought the farm. Wonder how fucked up my bike is.” He got up on his knees, awkward with his left arm held close to his body. He touched me again, his hand skittering over my hair. “You got grass and leaves in your hair.”
He smoothed it. Gentle and still shaky. For me or for him, I didn’t know, but he petted my hair for a minute, and looked at me. I looked back. Not everyone is safe to look at. There are ways to get into you through your eyes. But I was sure he wouldn’t creep inside my eyes and steal me away, the way Mama said people could.
When he started to stand, I put my arm around him to help. Silly, thinking I could help, but he leaned into me like I could. For a second, I breathed him in. His oily black hair was delicious mint and dirt. Then he got on his feet, and I filled my nose with the smell of the rest of him: sweat and fuel and sharp chemicals. We lurched and shuffled toward the bike. His ankle must have hurt, too.

Bike Spill
“Turn the key off. To your left,” the Giant said.
The motorcycle’s engine dropped away to silence when I did it. I tugged the key out, let it dangle on my finger, a little silver skull balancing on the other end of the chain. To take it from me, he let go of his left elbow. His hand was bloody, dripping into the dirt, and he smudged it down his jeans when he put the key into his pocket.
“You gonna help me up to the house or you got more business down here in the meadow?”
“I can help,” I said. Because he was safe that way, too. It was safe for me to say something.
“Hey, you can talk.” I let him put his hand on my shoulder and together we walked up the road to the house. He talked the whole way and I knew why. To make me easy, the same reason Grandma had talked so much. She talked too much sometimes, afraid of quiet.
He told me about the bike. The custom paint job. Probably fucked all to shit. The way the dew had glinted off my hair and the meadow hay. The tattoo on his arm. I already knew it was a dirty word, but he didn’t say “motherfucker” that way. It was just a word. He asked if there were rabbits in the meadow, but he seemed to know there were. Like he asked to leave a space in his talking. A place for me to say something if I wanted.
We didn’t make it all the way to the house. Just to the stone steps that went up from the road to the barn. He sat down there, holding his arm tight and breathing hard. I waited, worried I needed to fill that space, but then he looked at me.
“Can you go up to the house and call somebody for me?”
The phone was on the kitchen wall, but I hadn’t used one before. Ever. There were people you couldn’t smell on the other end of phones. And your ear. Your ears were openings, too, Mama said. The blood from his head ran down his neck. His black t-shirt drank it up. I nodded.
He told me the numbers. Then he wrote them out with his finger on my arm. Streaks of blood. “Do you know your numbers?” he said. I knew it was because I was so small. He thought I couldn’t read. So I read the numbers back to him, from his blood on my arm.
I brought my hand up to my ear, making a pretend phone, the way Aunt Brenda did when she said, “I’ll call you.” To show him I understood. Then I thought of something else. A complication. I reached out. Brave for me. Knowing how secrets like that work. The mouth is a dangerous place, Mama said. A dirty place. But I wanted to. I touched his lips. Warm and dry.
“Your name?” I said.
“Kellen. Jesse Joe Kellen.”
I thought of how he left spaces for me when he talked, but it was okay that they were empty. He didn’t mind that they were empty.
If I saw him again, I decided I might put things in those spaces.
awwww, I like this! So sweet and, well, child-like! lol!
Seriously, though, you’ve done a great job with the descriptions and making the reader (or at least me!) wonder what’s going on with the ‘openings’ thing. What is the little girl? Why was she in the meadow? So many questions!!!
Can’t wait to read more… um… there will be more, right?!?!?
Dang.
Like Jennie, I’m so intrigued by the whole ‘openings’ concept. I love your ‘voice’, I wish I could put my finger on what it is about your writing, it’s slightly off-kilter, in a good way. I like the way you talk about the biker ‘leaving spaces for her when he talked’. It’s the little touches like that, which make your writing really stand out for me.
I love it when a story grabs hold and you just have to churn it out. I’m looking forward to reading more.
Sue (who’s not entirely awake yet)
I knew you were thinking about writing a child crush piece. It looks like that’s what this is? I settled into the girl’s perspective easily.
Mmm…it’s some of that, I think. Me trying to exorcise that childhood love affair. Although the girl is decidedly not me. God, I could talk when I was a kid.
Intriguing indeed. I definately want to see where you’re going with this. It’s a very expressive scene and the voice is pitch perfect for the age of the narrator IMO.
The only thing I would add or change, is that even if the motorcycle is banged up I think the two of them would walk it back to the house. Maybe I missed that but it seems as if they left the bike behind.
Bryn, this is lovely, and completely fascinating. I love how her perspective makes everything about this seem normal when it clearly isn’t: it gives the whole scene a nice shivery sense of being just a little bit extraordinary.
Keep going!
Steve: they do leave the bike behind for reasons that come clear later. When you’ve dislocated your shoulder, it’s just about impossible to pick a Harley up out of a ditch.
Thanks, Bryn. I missed the dislocated shoulder part. My bad. I just envisioned the scene in my head and actually anticipated them walking the bike home but then I had to hit the breaks when I didn’t read it that way.
You have me wondering about the things she’s been taught, about the ways people “get to you”. Very convincing that the girl is more curious than afraid of this stranger. Good job of making him relatively disarming.
Great mixture of sensory detail here – I could learn a lot from you. I tend to use visual too much.
I’m very curious now about this girl’s upbringing and beliefs. Either way, she’s completely authentic. You’ve gotten such deep POV I believe her.
Very awesome—although, I’m not sure *sweet* was the word that came to my mind. I got a sense of foreboding, but maybe that’s just me. I also want to know about exactly what her mama has taught her. Oh, and loved the line about filling the spaces, too. Deep.
Nice. You give an astonishing amount of information about this giant’s mental state without breaking out of the girl’s POV. Impressive.
It’s interestingly disorienting. This little girl spent the night hiding in a meadow, and now she’s heading back to her mum’s house? A house she seems not to fear? The action suggests she really alienated from that house, even though the words don’t really support that.
He wrote a number on her arm with his own blood. Wow. It’s presented as such a natural, normal, thing to do. Using the materials at hand. Respecting the house’s boundary while reaching into it symbolically . . . .
And man, that symbolism. He wrote a number on her arm in his blood.
I like how you showed him willing to take her help, and that she’s willing to give it, even though it seems fairly alien to her. Reaching out of herself to help him. Doing things she doesn’t do. . .
Mama’s reality matrix doesn’t impress me so far, though I suppose I shouldn’t dislike her, since she set up the girl to think about these things in fairy tale terms.
Good stuff! I feel a little apprehensive about the ending, if this is an exorcism.
I was surprised by people who found it sweet, but I assumed that it was because I know a bit more about what happens next. Bwahahaha! (And wait ’til you find out whose number he wrote in blood…)
Thanks for reading, everyone.
You scare me. In a good way.
Dang, Bryn, you just keep coming up with more and more really good – and creepy/disturbing stuff! I don’t trust even the hint of ‘sweet’ here…