These days, I spend my lunch hour visiting my elderly aunt in the hospital. I’m always pressed for time, but that doesn’t mean I don’t have time to be a good person. That bumper sticker on my car is the truth. I believe in Random Acts of Kindness. At the intersection of Tennessee and 20th, I saw a woman on a bicycle, waiting to cross the street. She looked hot and tired, and there were half a dozen cars behind me, so it would probably be a while before she could cross. I came to a stop and waved her on, even though I knew I was already going to be late getting back to work.
She gave me a blank look and then pointed toward the stop sign at her corner. I couldn’t hear her, but I think she mouthed the words, “I have a stop sign. You don’t.”
Seriously, who does that? Who refuses a polite offer like that? It made me so mad, I pulled up across from her and rolled down my window, even though there were cars behind me, waiting to go through the intersection.
“I was trying to be nice,” I yelled. “You don’t have to be such a bitch about it.”
“How does calling me a bitch count as nice?” she said. So superior. Like she never lost her temper. Then she shook her head and said, “You’re blocking up traffic. Just go.”
I did, because screw her if she couldn’t take a favor. Screw her! It made me so mad, letting her have the last word, so even though I was through the intersection, I slammed on my brakes and yelled, “You fucking bitch! Fuck you, you fucking bitch!”
She threw her hands up in the air and shouted, “What are you doing, you moron?”
I would have said something back, but then the car behind me honked. Jerk was right up on my bumper. Some people.
Similar to how I look riding my bike
That’s all true. It all happened, except in reality, I was the woman on the bicycle. I was the person who declined a favor. Because in my experience, that kind of favor is dangerous. It changes traffic patterns in ways the average motorist doesn’t comprehend. For example, I have to later cross the street that all those cars were backing up to. Also, it’s fairly common for the very people who try to do something nice by stopping traffic and waving me on, to later try to kill me. They get distracted by their cell phone, someone behind them honks, and having already forgotten they waved me on, they surge forward, nearly clipping me as I cross the street. After all, it takes a cyclist a bit longer to get started from a dead stop. After the third time this happened, I stopped accepting these kinds of “favors.”
Of course, immediately after it happened, I was astounded and eager to tell people that I’d been called a fucking bitch for turning down an act of perceived kindness. I wondered what would have happened if the car behind my would-be Good Samaritan had rear-ended her. Later, I did what I always do: I imagined the whole incident from the other person’s point of view. Almost no one sets out to yell obscenities at strangers over a minor incident, and yet she had gone from generosity to vituperative hostility in a second. As much as I didn’t appreciate her attitude, I recognized it may have come from a completely understandable place.
This is how I always approach my writing, and why I so often end up with multiple narrators. It’s not that I want two characters to tell the same story, but that I want them to tell their own story. I’m interested in how the different POVs intersect and diverge.
I date some of it back to my early days of writing. The first creative writing class I took was with Ben Nyberg, and his tried and true method is to force people to tell stories from other points of view. He tricks beginning students a bit, first asking them to write a story in which they are the protagonist. Then, he makes them tell the same story, from the POV of the antagonist. That is the story they are made to edit and polish until the antagonist becomes the protagonist. After all, you may be the hero of your story, but you’re probably the villain of someone else’s story.
PS: Nyberg’s book, One Great Way to Write Short Stories, though out of print, is still a great way to write a short story. Used copies are available in all the usual places.